Sunday, 4 May 2014

Creating the Title Page

Today I've been creating some title page designs. For the first design I painted part of the land where the story is set and included the river with Gerda's shoes and the Snow Queen's palace in the distance. It is meant to be sort of a preview to the story where at first you would not know the significance of these objects until after you have finished the book. I've kept it deliberately water-downed and lowered the opacity as I wanted the emphasis to be just on the words. I've also made the hues change from sepia toned to cool toned from the first page to the other, it represents the seasons changing throughout Gerda's journey, except here it happens in one picture. At the moment I'm unsure whether to use white or black text; I think black might be better as it will stand out more but I will get Louise's advice when I see her next week. 



Below are a few other examples I could use as the secondary title page (the one before the main title spread). I made these with boxed images instead of full page ones as I think if there were too many full pages at the beginning it may not go with the rest of the pages where most of them also have boxed images. Out of the two below I prefer the bottom which is more simple and seems almost like a pattern with its repetitive trunks.




Friday, 2 May 2014

The Pick Me Up Festival & Buying Portfolio/FMP Supplies

Yesterday I went to the Pick Me Up festival with the course; it was very exciting and inspiring to see so many contemporary artwork all in one space. Although most of the art wasn't very similar to the style or medium I work in I still felt quite inspired by many of the illustrators - I especially loved Isabel Greenberg's work who gave a talk earlier this year, Jessica Das and Damon Smith's work which I've pictured below respectively.
Isabel Greenberg display


Etchings by Jessica Das


Damon Smith


I purchased a portfolio case as well and decided to get an A4 size one as I prefer to work smaller and I think it suits my work in this size. Because I am aiming towards book publishing it will also be easier for the art director to imagine my artwork in their publications.

Additionally, Emma and I walked to Shepard's Bookbinders which is around 30-40 minutes away from Pick Me Up. It was much more convenient being able to see and touch the paper there rather than just ordering online. With the size of my book Katherine advised me to get between 120 - 140 gsm which unfortunately did mean the images might show through a little, but not too much. I ended up getting Simili Japon inkjet paper which is off-white and I feel will suit my images more.  
All in all, it was an enjoyable day and I got a few essential items I've been needing for a while! 

Thursday, 1 May 2014

The Final Illustrations For My Book

These are the final images I've painted for my book. Again, I've had to take references from photos on Pinterest for certain illustrations such as the ice palace (see this post http://selinaquachfmp.blogspot.co.uk/2014/04/designing-snow-queen-palace.html which explains more in detail what references I've been looking at for inspiration) and the ruined castle as I was unable to access these places.
  
In this image I wanted to emphasise the transitional stage from summer to autumn as Gerda is very shocked in the book to find out it has already turned autumn-time. The symbolism; the dark tree with dead leaves represents Gerda's emotions at this stage of the journey, which is contrasted by the rays of light representing hope and optimism upon the news that the Raven brings.

The trees are bare here signifying winter is coming. The Raven is the main figure in this image as he watches over Gerda's departure and emphasises the feeling of separation 

This image subtly reflects back to the time when Kai was sleeping at the feet of the Snow Queen; Gerda is scared and worried sleeping with the Robber Girl and would rather be anywhere else than here. 


This is meant to be the mirror opposite of The Snow Queen kissing Kai - the emotions of love is much more genuine here and is meant to emphasise the fact that the Snow Queen's kiss was in order to lure Kai  and is not a true representation of love. The colours are brighter and gentler in comparison to the starker, harsher colours in Kai's scene.

The last image of the book. Kai and Gerda have returned to the roof top they spent theirs summer days at the beginning of the book. They've obviously changed and grown up but the same roof top reminds us that they are still the same people, still "children at heart". The softer pink shades in this image  symbolises calm and tranquility as well as "compassion, nurturing and love. It relates to unconditional love and understanding".
The roses are drawn less closely together and isn't framing the two of them anymore; this symbolises the huge journey they have both undergone - they aren't within the safe walls of childhood and seeing things in a limited perspective anymore. They have seen both the darkness in the world as well as real beauty. 

Wednesday, 30 April 2014

Creative CV

Today I finished my creative CV. I wanted to keep it fairly simple and concise and clear enough read. I also added a few small drawings as finishing touches which I'm quite happy with as it shows I enjoy working traditionally and it contrasts with the text.



Tuesday, 29 April 2014

Group Work In Progress

This morning I had a group work in progress with Louise where I showed my second more finalised mock book. Although I am quite happy with it I felt that some of the pages were looking a bit empty and she agreed with me. So in the next couple of weeks I will be drawing some small illustrations to add onto the pages in order to make things a bit more exciting and in addition I will definitely be making the main images larger.
Here are some quick doodles in my dummy book that I did after the WIP, which may be used as extra illustrations.


We also spoke a little about how I am going to display my work for the degree show and I think I am going to go for old/vintage looking frames, as it is a traditional fairy tale and may go well with the paintings. I will probably put up original art work as I think it will be a nice feature to see the physical hand-made illustration next to the printed version.

Monday, 28 April 2014

Week 13


  • Group Work in Progress with Louise
  • Finishing creative CV
  • Re-sizing page spreads on Indesign, test-printing etc.
  • Buying book paper & cutting it to size
  • The Pick Me Up Festival
  • Creating title page

Gathering Ideas and Inspiration For Creative CV

Today I've begun to think of some ideas for my creative CV. I started off by looking at some examples of others' creative CVs to give me some inspiration. Here are a few that stood out to me the most:
I like how this has been laid out like a newspaper, making it
more fun and giving it a bit of context. Drawing little illustrations
for each of the different sections is also a nice idea as it gives you
a chance to show your style and that you can draw different things
which is always good!
I also like the idea of a limited colour palette as it
gives the overall CV a look of professionalism. The way
he has introduced himself is also quite fun and informal
Although I don't want to type a lot of text as the employer
might not read it all, I do like the colours used in this and
the patterned background. Compared to the two above this has
more of a hand-drawn feel which I think is because it is an
illustration CV instead. Mine will follow this route more
 as I focus on traditional media.
This is a nice and simple idea which I could pursue, with one illustration to the side.
The descriptions about the person are short, concise paragraphs that get straight to the point
which is what we were advised to make sure of during the workshop. Again, use of
limited colour is appealing.